Breaking Art News Daily Worldwide

JOURNAL of the PLAGUE YEAR, 2020
AFTER DANIEL DEFOE, 1722

by Writers and Artists Worldwide
Submission Information: Click Here

Italy

The subject of masks, medical face masks, had been on everyone's lips in Italy for quite a few weeks, ever since that poor patient zero had been infected by the Covid-19 mid-Feb. In a town in northern Italy near Milan, a city I'd lived in and around for 20 years before moving south 9 years ago where my Italian husband is from.

I'm from Minneapolis. We live in the countryside where my painting studio is. I work as a translator and singer-songwriter in an alt rock/post-punk band. My husband, prod. manager for an Italian contemporary classic pianist had just been on tour in Australia and Singapore, seemingly outrunning the virus by coming back to Italy.

We were dead wrong. 7 weeks of lockdown later: 100,943.00 people have been infected. We're already living isolated in nature. We're lucky.

Georgeanne Kalweit

Panama City, Panama

It’s Day 15 of the government-imposed quarantine.

The streets are quiet at 6:30pm. The usual bumper to bumper traffic and cacophony on Calle Cincuenta is reduced to the sound of crows cawing and the occasional car barreling down the hill.

We are only allowed out for 2 hours a day based on the last number of your ID and your gender. Women are allowed to go out on Monday, Wednesday and Friday. Men on Tuesday, Thursday and Saturday. If your ID number ends in 9 like mine, you’re allowed to go out from 8:30-10:30.

As the body count rises, more people are taking the virus seriously. Ten days ago, you’d see people stocking up on food, toilet paper, bleach, hand sanitizer and rubbing alcohol. Unbeknownst to them, for most, it would be their last paycheck. Fear has gripped this city, the fear is no longer based on the dead count caused by the virus.

The fear is caused by the certainty of violence. You can feel it in the quiet night, a seething, bubbling thing, a thing you can’t put your finger on, but you can feel it.

The poor do not fear the virus. They fear hunger. They fear that we have bought all the toilet paper and we have a stash of masks. They bang pans and pots in the distance as a warning of coming violence.

They have began looting the chinitos in their neighborhood. These little stores were their lifeline.

Cops rush in and ignore the looting of the little store and focus their efforts on the one supermarket in the area. The supermarket owners arrive with boards and nails and start covering their doors and windows. Onlookers on the balconies of the buildings across the street scream that the minute the cops leave they’re going to storm the store.

Nothing has happened yet, but it’s going to. The feeling is electric. Our president has ordered 15 million US dollars in bullets. He has ordered 50 million dollars to be distributed amongst the population of 4 million people, about $12.50 per person.

The poor do not fear the virus. Their motto is "the virus is God’s punishment on the rich and we are protected by the blood of Christ."

The air is thick with the smell of sweet mangoes and jasmine. In the distance a few pots are rattling, and occasional shouts are heard from far away. This is the feeling the plantation owners must have had when they knew the slaves were restless.

Businessmen have armed themselves and their employees with Israeli submachine guns and have unspoken orders to shoot anyone who looks poor. The good neighborhoods have hired armed guards. Our inherited colonial outlook will force us to force those people back to their place, back to their margins, and will force them to loot for food and supplies.

This is Central America, and we have a history of shooting our rioters without impunity. We will soak our streets and our marble tiled and gold gilded lobbies in blood to prevent the encroachment of the poor and needy.

The rich and the middle class are angry and on edge because of the certainty of these riots. The word 'savages' has crept into their vocabulary. Once this word is used, it gives them the moral obligation to put the savages in their cages. To hurt and beat the savages back to where they belong.

I hope this does not happen. We’ve not even peaked in our number of plague cases. The economic reverberations of this plague will be felt for years, and the scars from these riots won’t heal.

Nicolas (aka Dimitri) Vorvolakos

 

OPEN CALL: WRITERS + ARTISTS! Our Journal of the Plague Year 2020 Invites You To Submit Your Words to Be Presented Worldwide. Submission Information: Click Here

Back to Main Page

 

 


Subscribe to Our Weekly Newsletter--Free!
Confidential: Your Address Never Shared.





Gordy Grundy

RESOURCES
Dictionary

Thesaurus
Drudge Worldwide Weather
Maps
NightOut

Reference Desk

FKA CINEMA
Birth.Movies.Death.
Collider
Deadline
Roger Friedman
Lloyd Grove
Hollywood Dementia
Hollywood Reporter
IMDB
IndieWire
Rotten Tomatoes
Variety

TECHNO
Boing Boing
Engineering & Technology
Innovation & Tech Today
Jalopnik
MIT Technology Review
National Geographic
NASA
Tech Briefs
The Verge
Wired

LAUGHS
Bizarro
Butcher and Wood
Dave Barry
The Chive
CNN
Doonesbury
Funny Or Die
NYT Loose Ends
The Onion
Popbitch
Smoking Gun

HALCYON
Daily Beast

Esquire
The New Yorker
New York Magazine
Los Angeles Magazine
Town and Country
Vanity Fair

 

BEAUTY INSIDE + OUT
Abitare
Architectural Digest
Architecural Record
Dwell
Elle Decor
Gray
House Beautiful
House and Garden
Interior Design
Metropolis
Veranda
Wallpaper
World of Interiors

MISTER CHOW
Art of Eating
Bon Appetit
Cooks Illustrated
Epicurious
Fine Cooking
Food & Wine
Gastronomica
Saveur
You Grow Girl

TRAVEL
Adventure Journal
AFAR
Conde Nast Traveler
The Culture-ist
Go Nomad
Go World Travel
Matador Network
National Geographic Traveller
Travel + Leisure
Vagabondish
Wanderlust

MAN + NATURE
Fine Gardening
Garden Design
Land 8
Landscape Architecture Magazine
Landscape Architecture Foundation
World Landscape Architecture

FASHION
Allure

Cosmopolitan
Elle
Fashionista
Fashion
Glamour
GQ
Look
Marie Claire
NYT Style Magazine
Teen Vogue
Vogue
Vogue China
Vogue India
Vogue Italy
Vogue Paris
Women's Wear Daily

FINE ARTS
Artsy
Artforum
Artillery
Apollo
Art F City
Art Almanac
Art and Australia
Art Daily
Art Fix Daily
Art in America
Art Monthly
Artnet
Artnews
Art Review
Artspace
Blouton ArtInfo
Brooklyn Street Art
Burnaway
Deviant Art
Flash Art
Frieze
Glasstire
Hi·Fructose
Hyperallergic
Juxtapoz
Parkett
Saatchi Art
The Art Newspaper
White Hot

 

 

 

 

 

 

 

PRIVACY POLICY
TERMS OF USE
AD CHOICES
PRIVACY RIGHTS

 


 

 


News Tips? Email: info@ArtReportToday.com


Advertise With Us! Email: info@ArtReportToday.com



ART REPORT TODAY
Blue Chip, Red Dot
Artists Who Catch Our Eye
Collectors' Cache
Sent From My Phone: Nicolas Vorvolakos
Yes, Chef Tara: New Recipes
HyperFraught

ART PODCASTS
Arts & Ideas
Art History Babes
Bad At Sports
Brett Easton Ellis
Art Curious
CAA How To
Michael Delgado
Tyler Green
The Lonely Planet
NPR Fresh Air
A Piece of Work Abbi Jacobson
Raw Material SFMOMA
Sculptor's Funeral
Hrag Vartanian- Hyperallergic

BOOKS
Book Search
A. G. Geiger

Book Riot
Catapult
Electric Literature
Jane Friedman
Goodreads
Literary Hub
The Rumpus
Vol. 1 Brooklyn

IDOLATRY
Page Six

People
Popbitch
TMZ

MUSIC
Alternative Press
Billboard
BBC Classical Music
Downbeat
Kerrang!
MOJO
NME
Revolver
Rolling Stone
SPIN