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ABOUT ARTIST TOM MOSSER AND HOW HIS DOG MADE HIM FAMOUS!

by Dale Youngman

“Born and bred in Pittsburgh, I have a tremendous admiration for another Pittsburgh-born artist, Andy Warhol. (His museum is 3 miles from my studio.)  I’ve  listened to a documentary about him probably 50 times in my studio.  A main theme and inspiration that I took from him stems from a quote, something to the effect of “Art is all around us.  Just look.”  My spin-off of that is “Ideas are all around us. Give yourself permission to look for them.”

Passionate about drawing since he started walking, Tom Mosser never gave any other interests fair play. There was simply never anything else he cared about as much. Fortunately, his parents were also unwavering – in their support and encouragement of his desire to pursue art as a career.  They saw his passion, his obsession, and recognizing talent, they encouraged him every step of the way.

Tom began using his talents professionally while still in junior high, when he started helping his father, an advertising director. Later, Tom graduated with a BFA in Fine Art from Penn State, where he was a cheerleader his senior year. After graduation, he applied for his “dream job” as an illustrator, cartoonist, and page designer with Sporting News Magazine, but was sidetracked when his sister alerted him to another possibility, an option he did not really take seriously until he was offered it. Initially trying out “just for fun,” Mosser beat out 250 applicants after the week-long series of auditions and interviews – and became The Pirate Parrot, the official mascot for the MLB Pittsburgh Pirates. He decided it was a life experience he just couldn’t pass up.

“I used my gifts of dance and mimicry in the big bird suit for 8 years and performed at over 700 baseball games and countless parades, school assemblies, hospitals and public events.  I traveled to Europe 3 times to perform at baseball tournaments in London and Rotterdam, Holland.  I had a studio in the south side of Pittsburgh the whole time, working on my artistic craft.  Some artists and actors supplement their income by waiting on tables…I jumped around in a bird suit.  I was paid to be creative.  It would end up being the only “job” I ever had.”

Recalling another Warhol-ism, Mosser always tried to be unique, and thus became fluent in multiple mediums, including pastel, watercolor, pen and ink, and acrylic, while also developing his own unusual processes through unconventional tools. Painting with various sports balls, tires, sneakers, a funnel, or two tiny brushes simultaneously, Mosser has developed an array of techniques that take his work to the next level of unique, creating his own processes he calls “Flow Technique,” and “Loop and Line.” These techniques and tools have contributed to the success of three main bodies of work, all of which have brought both commercial success and thousands of followers. Mosser developed a style and process he calls “Sports Ball Impressionism” and the “Really Big Faces” portrait concept, but became an almost overnight phenom with a painting of his dog, and what became his best-known portrait that began “The Museum Series.”

"I got the idea for the overall theme back in 2010 when I was standing behind a little boy who was looking at a giant sexually explicit painting at MOMA in New York.  It was a striking image.  The little guy was eagerly looking at the piece and taking notes for his class museum field trip.  He skipped away to join his group after admiring the painting for quite a while. I began thinking about a series depicting standing figures from behind, observing paintings in a museum setting. Later, I was sitting at my computer with my golden retriever, Lucas, destroying a stuffed groundhog toy at my feet, thinking, what else is he enthralled by? I immediately thought of depicting his favorite things in a painting: a squirrel…a stick…and finally a tennis ball. It was a light-bulb moment for me.”

When a social media post of his dog-in-the-museum sketch garnered 200 “likes” in one hour, Mosser realized he was on to something.   It spooked him, so he pulled the post, and spent about 8 hours on it over the next week, before getting onto other projects. Knowing it was a great idea and a fun painting, he still was unsure when showing it to his publisher, who thought it was a nice little painting. They wondered, “Will dog people buy art?”

“I sent the image to an art gallery in New York a few months later.  I didn’t know it at the time, but that gallery posted the image on their website and it went viral.  Friends from all over the country started calling me after seeing it on social media.  A friend in London saw it.  A friend in Italy saw it. A few months later in March of 2013, my publisher, (Almart Fine Art Publishing), four other artists and I had a booth at the New York Art Expo.  People were constantly posing with the little painting of the dog looking at the tennis ball painting.  We sold out of the100 limited edition print run in 6 weeks that summer, donating $100 for every print that we sold to the Animal Rescue League of Pittsburgh.  My little painting generated $10,000 for ARL, and the 15 follow-up paintings in the series have raised over $45,000 for a variety of organizations around the world. The series continues with other breeds, cats, horses, commissions from pet-owners, and even wildlife, including giraffe and elephant designs coming soon!“

Always maintaining his modus operandi of looking for ideas all around, Mosser’s other big lightbulb moment came while playing sand volleyball in the Highland Park area of Pittsburgh in the summer of 2014. Playing in damp sand, he noticed the balls left imprints of the patterns of their seams as they rolled in the sand.  Grabbing a  ball and rolling it around in the sand, he observed the distinct imprint of the balls. 

“I could do something with this.”, I thought. It was a total epiphany! I asked myself, “What other items would leave an imprint when painted and pressed against a surface?  I drove home that day and grabbed a basketball, sneakers, my bike, tennis balls, a baseball and a football and went straight to my studio.  I painted each ball and rolled them on paper. It totally worked! I then went outside and grabbed some car tires by a local dumpster and painted them.  They all worked too!  I knew I had to develop this into a signature series!”

Mosser worked for a year in secret before launching the theme while live painting with footballs at the “Taste of the (Minnesota) Vikings” charity event in 2015 in Minneapolis.  That same day, he launched the “Tom Mosser Design” Facebook page, and began promoting his new signature style as “Sports Ball Impressionism.”

The Minnesota Vikings were the first team to commission him to create art with his unique process.  Mosser has since gone on to create work for the San Francisco 49’ers, Green Bay Packers, Golden State Warriors, Milwaukee Bucks, and Penn State University Football, incorporating a variety of work such as action art, stadium landscape, and especially logo treatments.  In the past three years he has also had 4 sold-out sports-themed shows at Old Main Gallery at State College PA.

While always “painting with balls” and maintaining the Museum Series by continuing to evolve animals and their objects of desire, Mosser’s next big thing is literally BIG.
 
About two years ago, Mosser began creating super-size portraits of an eclectic array of Pittsburghers, including friends and some local celebrities – big paintings that measure 58” x 68” . The series, called “Really Big Faces” is destined for a major exhibit, but has been postponed due to COVID. Mosser’s recent subjects have expanded to include those affected by COVID on the front lines, including a postal worker, a grocery store clerk, health care workers, small business owners, teachers, and those in the arts, all while emphasizing the diversity of Pittsburgh. He plans to have around 70 of the six-foot tall portraits as well as mounted bios of each subject for the upcoming exhibit.

“The process of creating the “Really Big Faces” has been expanded my work so much.  While creating them I have discovered and developed various techniques and processes, including “Funnel Flow” and “Loop Line Technique.” I’ve always been drawn to drawing in circular patterns since I was a kid. The technique has evolved over the years with a focus of vertical lines and circles created using paint funnels and rods.  I insert the rods into gallons of house paint and quickly hover over the canvas and let the paint flow out in long slender lines. As I work the lines get thinner and thinner. It’s very physical, meditative, and fun. The technique mimics the pen and ink work of my childhood.” 

What is next for Mosser ? Think even bigger, as his next series is a collaboration with a photographer/teacher who lives at the Lewa Wildlife Conservancy in South Africa. With at least one safari planned for research, he wishes to create giant Flow and Funnel paintings of elephants loosely based on her photographs, some of which may be exhibited at her school in Ngaredare Village. They are planning a fund-raising joint exhibit of some kind for the school.

Andy Warhol made the saying “Everyone will be world-famous for 15 minutes.” But we think Mosser and his “Always Looking“ strategy will surely result in longer staying power!

To see, purchase, or commission work by Tom Mosser, please visit his website here.

_________________________________

Author Dale Youngman is an independent art curator, fine art dealer, marketing consultant and art writer, working to facilitate the flow of art in Southern California. She currently consults with artists, galleries, interior designers, non-profits, and a new art platform to advance business for everyone in the art world. She has twice been honored by the LA Mayor’s Office with “Certificates of Recognition“ for her many years of art advocacy. Find Dale at her website.

 

 

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