‘Politicians Always Profit From Fear’: Ai Weiwei on How the Coronavirus Pandemic Will Heighten Political Turmoil, and the Role Artists Should Play
Francois Ghebaly: The Cultivation Syllalbus, Week Three
THE PLAGUE
Billionaire Sam Zell Sees Economy Permanently Scarred by Pandemic
Dave Eggers: Flattening the Truth on Coronavirus. Sort Of
Rich Infected Poor as Virus Traveled Around the Globe
The Alarming Rise of 'Algorithms as the Heroes' of the Stock Market Recovery
Santa Cruz Surfin' During Lockdown from Kyle Buthman
For Disney, a Stricken Empire
She Predicted the Coronavirus. What Does She Foresee Next?
Jeff Bezos 'Could See Wealth Surge' As Coronavirus Drives Amazon Fortune. Trillionaire?
Art And The 1918 Flu Pandemic
Wolfgang Tillmans Enlists Artists To Help Venues Threatened By Covid-19
Moving Out and Not Coming Back: The De-Urbanization of America
Smith: Slow Down; Enough Mask Art
A HISTORICAL MUST READ: LONDON in the YEAR 1665
Art Report Today Proudly Presents
JOURNAL of the PLAGUE YEAR
by Daniel Defoe
being Observations or Memorials
of the most remarkable occurrences,
as well public as private, which happened in
London during the last great visitation in 1665.
Written by a CITIZEN who continued
all the while in London.
Never made publick before
I.
It was about the beginning of September, 1664, that I, among the rest of
my neighbours, heard in ordinary discourse that the plague was returned
again in Holland; for it had been very violent there, and particularly at
Amsterdam and Rotterdam, in the year 1663, whither, they say, it was
brought, some said from Italy, others from the Levant, among some goods
which were brought home by their Turkey fleet; others said it was brought
from Candia; others from Cyprus. It mattered not from whence it came; but
all agreed it was come into Holland again.
We had no such thing as printed newspapers in those days to spread rumours
and reports of things, and to improve them by the invention of men, as I
have lived to see practised since. ..
Click Here to Continue
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The Big Reset: We Don’t Want to Go “back to Normal” Because “Normal” Sucked
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Pope Dreams Of Post-Virus World Where Inequalities Abolished
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A History of Disease, Faith, and Recovery in Rome
Was Duchamp’s Fountain A Misogynist Vaginal Pun?
Confessions Of An Art Critic Adrian Searle: Do I Realise How Hurtful Some Of My Comments Are? Of Course
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ARTS COMMENTARY "OPPORTUNITY IN OUR TRAGEDY'
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Blockbuster Monet Exhibition Will Reopen in Germany with New Protective Measures for Museum Visitors
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