“If a water tank with the name of a town on it can be called monumental;
if the discarded objects that tend to pile up along the margin of human habitats can be called peripheral;
if the monumental and the peripheral can be considered of equal importance;
if the landscape that supports this evidence of human occupation can be called sublime;
if the attempt by an artist to travel a purposeful line in order to make random discoveries can be called time well spent—then Altered States, held together by a wedge (keystone) inserted between imagination and reality, offers happiness to the lost, and opportunity to the reclusive.”
