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DISPATCHES FROM THE EDITOR
GORDY GRUNDY

 




  James Hayward Rides Forever
  A Siren's Call


04 26 2026


JAMES HAYWARD RIDES FOREVER

I idolized him. I met James Hayward when I was still in diapers. He was a God. And like everyone who I love, he had a sense of humor. Not only was his laugh wholly memorable and distinctive, his words were pearls.

I was going to compare him to a standup comedian, but realized he actually was one. Every decent opening in town had a gaggle of fascinated people standing around and leaning in to hear what a tall guy in a cowboy hat was saying.

You got the vibe of a campfire. Of great orators of yore. The adventurer who stands on a candlelit stage and shares the dangers and follies of his travels for the price of a ticket. Hayward was that good.

As a matter of fact, Hayward was at every good opening in town. He had a well-educated eye. His presence was a sign of approval. Now that I think about it, he supported the team and went show-hopping with frequency. Hauling ass all over LA, is no mean feat. Commuting from his horse farm in Moorpark, in Ventura County, fifty miles north of LA.

It just so happens, we feature an insightful memoir piece from Jimmy, which also happens to contain some very fine tips on jail cell etiquette and custom. As we are a family arts publication, it would be bad manners if I told you the title of the essay, but I will send you a link. Just click here. It's epic. A must read.

In today's Sunday Lounge!, we feature a memorial from our friends at Artnews with a spot-on headline, "James Hayward, West Coast Painter with a Cult Following, Dies at 82."

Art Report Today .com

 


A SIREN'S CALL
Vegas Journal, No. 1

It was clearly a calling. A pull.

Like all artworks. From the moment I first read of hotelier Elaine Wynn's proposed Las Vegas Museum of Art, I was captivated with the adventure.

The conundrum was always there in front of me, a dangling question. It took a physical presence. I'd be looking at a sunset dissolving into a green flash and there it was. A morning coffee at Point Panic and the thing was on the horizon, floating, vertically. It looked like a black McCracken plank with hard-edge thin hips, motionless, far, far away.

The puzzle was the incongruity, of the precious and the profane. A not your average art museum will be placed in a man-made desert party town, at a time when the local elite have bet the bank that sports will be the big ticket attraction for the struggling city.

It was sticky. I kept thinking about it. Now that I look back, I remember it was with great concern, as if it were personal and familial.

The wheels kept turning and the dawn was a very slow one, but I caught it. The wave kept shoving me forward and threw me east. And that's where I stand today.

On solid sand.

Art Report Today .com

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  Artist and writer GORDY GRUNDY
is the Editor-in-Chief of Art Report Today

 

 

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Gordy Grundy

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