LIKE QUARRELING LOVERS, THE CHICKEN AND THE EGG And then suddenly, outta no where, the music swelled, and Leapin' Lari, the Lucha Libre wrestler, known for his colorful cape and mask based on his own paintings, flew into the wrestling ring of the New York Times editorial section and vanquished a lunkheaded art seller, in the name of the Arts. Ka-Pow! In June of this year, Marc Spiegler, a former exec at Art Basel wrote a very anxious yet thoughtful opinion piece titled "Art Galleries Are Not OK." Our current economic crisis must now be pinching the folks at the top. Just when the artist was again about to be frozen out of the conversation, I believe mild-mannered artist Lari Pittman set his brushes aside in his California studio. He literally stood up for the arts, when no one else did, and walked across the studio to his computer where he typed a short note to the editor. His words were broadcast around the world:
The wrestling move was deft and commanding. Pittman dealt a lethal punch from which no criticism could be uttered. Simply put, they can't live without each other. Like the ole chicken and the egg conundrum. Which came first? The Artist or the Gallerist? We will never, ever know. ~ Gordy Grundy Las Vegas great Yoko Kondo Konopik will be honored with a free public reception to thank her for her generous donation of 11 oil paintings she created over her long career. The 95 year old artist will be in attendance at the CSN Charleston Campus on the second floor of the E building, just across the parking lot from the KNPR facility off Torrey Pines, on September 10, starting at 6 pm. Refreshments will be provided. Come join us, and come meet this amazing artist. For more information contact Diane Bush, dianebush@cox.net Dayvid Figler: How 'Paul Blart' Changed My Mind About Film Tax Credits; Here’s an economic incentive that would actually work: Give money directly to indie filmmakers. Click Here. Smart thinking. Artist Nancy Good has a new catalogue "Big Art, Bigger Concepts." The 28 page book is a great introduction into her large-scale abstractions. Click Here. |
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